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Piper

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Piper


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Roda Piper Loungegruppe

There are design objects whose elements make for spontaneous familiarity, where there is no forced assonance of forms. This is the beau idéal of design: beauty rooted in a simple touch. The Piper collection is vast. Its many elementsfurnish every instant of outdoor living. There is the conviviality of sofas formany guests; the privileged relaxation of a chaise longue; the practicality of a tabletop perched on a precious frame. The materials are loya...

Roda Piper Loungegruppe

There are design objects whose elements make for spontaneous familiarity, where there is no forced assonance of forms. This is the beau idéal of design: beauty rooted in a simple touch. The Piper collection is vast. Its many elementsfurnish every instant of outdoor living. There is the conviviality of sofas formany guests; the privileged relaxation of a chaise longue; the practicality of a tabletop perched on a precious frame. The materials are loyal mainstays: painted aluminium, robust strapping and Batyline mesh. Colours range fromsand, blue and orange to a rust-hued finish for the structure. In other words, many pieces and many finishes. A je ne sais quoi holds everything together, something found in Rodolfo Dordoni’s very first pencil sketches. It might bethe slanted legs that come back in every piece like a design tic, or perhaps thesobriety of a pattern that turns out to be a decorative texture of woven straps; the clean lines of a solid disk for a wheel, pierced by the above-mentioned legs like a part cut out from a drawing by Fortunato Depero. There are objects whose representation is built on the choral character of many design components and cultural influences. Such objects, like Piper, require their creator tobe an excellent orchestra director.
Roda was founded in 1990 as a company specializing in the production of top quality outdoor furniture. The company’s success was assured thanks to its passion and experience, combined with the acute intuition of its founder, Roberto Pompa, one of the first Italians to work on the new Interior Garden concept: an interior garden that does away with the increasingly transient boundary between indoors and out.